GoodCase.aiAI News · Radar↗AI Map↗Course · LearnPrompt↗
ProjectsGoodCase.aiAI News Radar ↗AI Map ↗LearnPrompt ↗
GoodCase.aiGoodCase.aiAI Prompt Case Collection
GoodCase.ai
RankingsCasesSkillsFavoritesSubmitDailyJoin us
中文EN
Agent Access →

Projects

AI News · Radar ↗AI Map ↗Course · LearnPrompt ↗
GoodCase.aiGoodCase.aiAI Prompt Case Collection
RankingsCasesSkillsFavoritesSubmitDailyJoin us
中文EN
Agent Access →

Loading…

GoodCase.ai · AI Prompt Case Collection
DSH PluginsChangelogFeedback
ModelsCreatorsSeedance 2.5Seedance 2.0GPT Image 2GeminiNano Banana ProClaudeClaude Opus 5.5Grok ImagineVeoKlingQwen ImageGPT Image 1.5MiniMax H3

Seedance 2.5 地下停车场格斗 30s

Creator · ChillaiKalan__

AI VideoX2026-11-08Added 11/10/2026Source verified#prompt-in-post
More tags (3)
#goodcase-bot-search#grok-gate-passSeedance 2.5
View original source ↗
Source ♥ 156

Prompt

THE UNDERGROUND PARKING ENFORCER

30 SECONDS | 9:16 | 4K | 60 FPS
ULTRA-PHOTOREALISTIC KOREAN ACTION CINEMA
COMBAT SAMBO × DIRTY BOXING × SAVATE
6 SHOTS / EXACTLY 5 CUTS
ONE 0.25S MICRO SLOW-MOTION MOMENT

01 — ABSOLUTE CHARACTER & ENEMY LOCK

Image 1  — BLACK ROSE:
Preserve the exact reference face, pale natural skin, messy black updo, black fitted clothing, black floral embroidered outerwear, necklaces and heeled lace-up boots. Cold, rebellious tomboy attitude, relaxed half-lidded eyes and restrained arrogant smirk. No face, hair, body or outfit changes.

VICTIM:
Adult Japanese female motorcycle courier, approximately 26, short dark-brown hair, black riding jacket, dark jeans and motorcycle helmet held in one hand.

EXACTLY THREE ATTACKERS:

A — Tall muscular man, black leather jacket, aggressive leader.
B — Stocky man, gray bomber jacket, heavy punching style.
C — Lean man, olive-green jacket, fast grappler.

All three remain individually recognizable. No additional attackers, clones or replacement characters.

02 — FIXED GEOGRAPHY & ENVIRONMENT

Location: Spacious underground parking garage in Tokyo at night.

- SCREEN-LEFT: Black motorcycle and parked black sedan.
- CENTER: Female courier standing beside her motorcycle.
- SCREEN-RIGHT: Three attackers confronting her.
- BACKGROUND: Concrete pillars, overhead fluorescent lights, painted parking lines and a distant exit ramp.

Maintain the same 180-degree camera axis. Never mirror or reverse the geography.

03 — SIX-SHOT ACTION SEQUENCE

SHOT 1 | 0–5S — THE CONFRONTATION

CAMERA: 35mm medium-wide tracking shot from beside the black sedan.

The courier holds her helmet close to her chest. A blocks her path while B and C stand behind him.

VICTIM:
「通してください。」
Please let me pass.

A steps closer and knocks her helmet from her hand. It rolls across the concrete.

At SCREEN-LEFT, Image 1 closes the door of the black sedan and looks toward the confrontation.

CUT 1 — ON BLACK ROSE TURNING HER HEAD.

SHOT 2 | 5–10S — THE WARNING

CAMERA: 40mm low three-quarter tracking shot.

Image 1 walks toward the group with a relaxed posture.

BLACK ROSE:
「三人で一人を囲むの?」
Three against one?

A turns toward her with an arrogant smile.

A:
「お前には関係ない。」
None of your business.

A moves toward her with an aggressive right-hand swing.

BLACK ROSE slips outside his punch, redirects his arm and drives a compact body strike into his torso.

A folds forward and stumbles toward SCREEN-RIGHT.

CUT 2 — ON B CHARGING.

SHOT 3 | 10–15S — THE BOXER

CAMERA: 35mm lateral action tracking.

B launches a committed left hook.

Image 1 ducks underneath, pivots and delivers a sharp knee strike to his midsection, followed by a controlled shove that sends him stumbling backward.

B loses his balance and falls onto the clear concrete.

B IS DOWN — remains down.

C circles toward her from SCREEN-RIGHT.

CUT 3 — ON C REACHING FOR HER SHOULDERS.

SHOT 4 | 15–20S — THE GRAPPLER

CAMERA: 50mm medium close tracking shot.

C attempts a two-handed grab.

Image 1 pivots outside his arms, breaks his grip and uses a shoulder-control rotation to redirect his momentum.

C stumbles into a concrete pillar, rebounds and falls onto the floor.

C IS DOWN — remains down.

A struggles back to his feet in the background.

CUT 4 — ON A'S SECOND ATTACK.

SHOT 5 | 20–25S — THE FINAL COUNTER

CAMERA: 35mm low three-quarter frontal angle.

A rushes toward @Image 1 with a desperate straight punch.

She parries his arm outward, pivots and delivers one explosive spinning back kick into his torso.

ONE 0.25-SECOND MICRO SLOW-MOTION AT CONTACT.

Her boot compresses his jacket. His body moves backward in the direction of the kick.

INSTANT RETURN TO REAL-TIME.

A loses balance and falls onto the open concrete.

A IS DOWN — remains down.

CUT 5 — FOLLOW BLACK ROSE'S TURN TOWARD THE COURIER.

SHOT 6 | 25–30S — THE QUIET ENDING

CAMERA: 35mm slow reverse dolly.

Image 1 adjusts her embroidered outerwear and calmly looks toward the courier.

The courier retrieves her helmet and looks at BLACK ROSE with relief.

VICTIM:
「助けてくれて、ありがとう。」
Thank you for helping me.

BLACK ROSE gives a small sideways glance and replies:

「気をつけて。」
Be careful.

She turns and walks toward the black sedan.

Exactly three attackers remain down in their established positions.

04 — ABSOLUTE CONTINUITY RULES

ENEMY LEDGER:
A: Stumbles in Shot 2, falls in Shot 5.
B: Falls in Shot 3.
C: Falls in Shot 4.

FINAL COUNT: EXACTLY THREE ATTACKERS. All three remain down in Shot 6.

POSITION LOCK:
B lies near the center-right parking line.
C lies beside the right-side concrete pillar.
A lies farther toward the right-side exit lane.

No teleportation, duplicate bodies, disappearing attackers or rearranged positions.

CAMERA AXIS:
Maintain screen-left / center / screen-right geography throughout. Camera never crosses the 180-degree axis.

CONTACT PHYSICS:
Every strike requires visible contact, force transfer, realistic recoil and directionally correct balance loss. No floating bodies, instant collapses or impossible movement.

WORLD REACTIONS:
The victim steps away from the fight and stays safe. The fallen helmet remains on the floor until she retrieves it. Background remains stable.

AUDIO:
Natural Japanese dialogue, underground ventilation, footsteps, helmet rolling, clothing movement and realistic non-graphic fight impacts. No music.

NEGATIVE:
Extra attackers, cloned characters, incorrect eyelines, reversed geography, disappearing objects, distorted anatomy, excessive slow motion, blood, gore, weapons, subtitles, text overlays, cartoon physics, abrupt cut
≡Provenance · verifiedPublished prompts are human-checked against the original post; platform-reconstructed prompts are not accepted.Compare with source ↗

Models & stability

Recommended models

Seedance 2.5
Stability
Cost
Medium

Input assets

Input images used to produce this case; copy any prompt that comes with one.

input asset 1

Keep exploring

Explore related cases.

View all AI Video Case →

Same creator

More from @ChillaiKalan__ →

  • Woman in black fights off three men at a rainy Tokyo ramen alleyAI Video · Seedance 2.5 · 2026-11-10
  • Poster Pairing Photography Above Black-and-White Ink IllustrationAI Image · Nano Banana · 2026-10-19
  • Illustration of a Woman in a Green Hoodie with Pink Roses and CoffeeAI Image · Nano Banana · 2026-10-18
  • Sunlit Scene in a Photo and Hand-Painted Diptych PosterAI Image · Nano Banana · 2026-10-19
  • Journey Through Norway’s Coast and Alpine MeadowsAI Video · MiniMax H3 · 2026-10-03
  • A Korean Woman’s Summer Peach AfternoonAI Video · Seedance · 2026-09-11

Same model

Latest with Seedance 2.5 →

  • Close-quarters fight on a rainy Shibuya crossing at nightAI Video · Seedance 2.5 · 2026-11-10
  • White-robed goddess faces a purple-armored demon in temple ruinsAI Video · Seedance 2.5 · 2026-11-10
  • Couple defeats a fire-breathing wolf with a blue energy swordAI Video · Seedance 2.5 · 2026-11-10
  • A couple drives a convertible to a seaside sunset and takes a photoAI Video · Seedance 2.5 · 2026-11-10
  • Chalk drawing of caffeine and a coffee cup on a green boardAI Video · Seedance 2.5 · 2026-11-10
  • Dragon-emblem warrior fights ninjas on a golden harbor pierAI Video · Seedance 2.5 · 2026-11-10

Each detail page keeps the original result, the prompt, and retest evidence in one reading path.