Edgar Wright: Every Cut Has a Job

85mm-equivalent extreme close-up of a woman's palm pressed flat against a weathered wooden door panel, fingers splayed, fine dust lifting off the grain, the hand filling the frame, pressing direction away from camera. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no key, no modern metal handle, no second hand in frame.

Locked extreme close-up, no camera move. Generate 2 seconds; the cut will be trimmed to 0.8s at the peak. The palm starts resting on the door, gives one short sharp shove, and stops with the panel opened about three centimetres and a puff of dust hanging in the air — the cut lands on this frame. Maintain: C01 identity (face/hair/clothing), L01 room material and layout, window light direction per L01. Avoid: no key appearing, no modern metal handle, no second hand entering frame.

100mm-equivalent macro extreme close-up of an old iron door latch seated in its strike plate on a weathered wooden door, paint chipped, the latch filling the frame, release direction toward camera-left. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no modern lock cylinder, no padlock, no hand in frame.

Locked macro close-up, no camera move. Generate 2 seconds; trim to 0.5s at the peak. The latch starts seated in the strike plate, springs out in one snap, and stops fully clear of the plate, motionless — the cut lands on this frame. Maintain: L01 room material and layout, window light direction per L01, C01 identity if any sleeve enters frame. Avoid: no modern lock cylinder, no padlock, no hand entering frame.

50mm-equivalent extreme close-up of a vertical door gap in a dark old-house interior, one thin blade of cool daylight entering from outside, dust swirling in the blade, the gap filling the frame, opening direction to camera-right. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no warm orange light, no lens flare streaks, no silhouette of a person.

Locked extreme close-up, no camera move. Generate 2 seconds; trim to 0.6s at the peak. The door gap starts as a thin line of light, widens in one continuous swing, and stops with a hard-edged light bar laid across the floorboards — the cut lands on this frame. Maintain: L01 room material and layout, window light direction per L01, C01 identity if any part of her enters frame. Avoid: no warm orange light, no lens flare streaks, no silhouette of a person appearing in the gap.

50mm-equivalent low-angle extreme close-up of the woman's shoe suspended just outside a worn wooden threshold of an old house, thin grey dust on the floorboards inside, the shoe and threshold filling the frame, step direction away from camera. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, including her shoes); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no sneakers unless shown in C01, no second pair of feet, no water on the floor yet.

Locked low-angle extreme close-up, no camera move. Generate 2 seconds; trim to 0.6s at the peak. The shoe starts hovering outside the threshold, steps down in one motion, and stops planted inside with the dust ground flat under the sole — the cut lands on this frame. Maintain: C01 identity (clothing and shoes as in C01), L01 floor material and threshold, window light direction per L01. Avoid: no second pair of feet, no water on the floor in this shot, no shoe style different from C01.

85mm-equivalent extreme close-up of an old iron door hinge on a weathered wooden door swinging inward, the hinge and door edge filling the frame, swing direction to camera-left, dark interior behind. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no modern hinge, no door closer, no person behind the door.

Locked extreme close-up, no camera move. Generate 2 seconds; trim to 0.5s at the peak. The door starts swinging inward, meets the wall, and stops there with one small quiver — the cut lands on this frame. Maintain: L01 room material and layout, window light direction per L01, C01 identity if a sleeve enters frame. Avoid: no modern hinge, no door closer, no person appearing behind the door.

18mm-equivalent wide shot of the old-house interior, the woman standing backlit in the open doorway in silhouette-to-half-light, a bare wooden table in the middle ground with a single teacup on it, dust floating in the light from the window, the whole room readable in one frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no furniture not present in L01, no modern light fixture, no second person, no visible steam at this distance.

Locked wide shot, no camera move. Duration 2.2 seconds. The woman starts motionless in the doorway, turns her head slowly from camera-left to camera-right, and stops with her gaze fixed toward the wooden table — the cut lands on this frame. Her feet do not move. Maintain: C01 identity (face/hair/clothing), L01 room layout and materials, P01 teacup unchanged on the table, window light direction per L01. Avoid: no second person entering, no door moving again, no camera drift, no modern light fixture.

85mm-equivalent medium close-up of the woman's face in an old-house interior, half-lit from the window side, dust in the air behind her, eyes open and scanning, expression held in, the face filling the upper two thirds of the frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no tears, no open mouth, no teacup visible in this frame, no second person in the background.

Locked medium close-up, no camera move. Duration 1.3 seconds. Her eyes start scanning across the room, lock onto something off-frame to camera-right, and stop completely still with the smallest tightening around the eyes — the cut lands on this frame. No head turn, no blink at the end. Maintain: C01 identity (face/hair/clothing), L01 room material behind her, window light direction per L01. Avoid: no tears, no mouth opening, no second person appearing behind her, no camera drift.

35mm-equivalent medium shot of a bare wooden table in an old-house interior with a single teacup standing on it, the empty tabletop stretching to both sides, thin steam just readable above the cup, dust in the window light. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no teapot, no second cup, no plate, no cloth on the table, no hands in frame.

Fast push-in, no pan. Duration 1.5 seconds. The frame starts on the whole bare tabletop with the cup small in it, pushes in fast and straight toward the cup, and stops hard with the cup filling the frame and its steam clearly visible — the cut lands on this frame. The cup does not move. Maintain: P01 teacup exactly, L01 table and wall material, window light direction per L01, C01 identity if a shoulder enters frame. Avoid: no teapot or second cup appearing, no hands entering, no motion blur that hides the steam.

100mm-equivalent macro extreme close-up of the rim of a teacup of hot tea, a thin column of steam rising from the surface, backlit by the window so the steam reads bright against a dark background, the cup rim filling the lower third of the frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no hands, no teabag string, no spoon, no smoke-like thick fog.

Locked macro extreme close-up, no camera move. Duration 1.0 second. The steam starts rising in a thin straight column, is bent sideways once by a slight draught, and keeps rising with the bend still visible at the end — the cut lands on this frame. The cup does not move. Maintain: P01 teacup exactly, L01 table and wall material, backlight from the window per L01. Avoid: no hands entering, no teabag string or spoon appearing, no thick smoke-like fog, no steam disappearing.

100mm-equivalent macro extreme close-up of the outer wall of a teacup with one bead of condensation clinging high on it, the glaze catching a single highlight from the window, the cup wall filling the frame, run direction straight down. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no hands, no printed pattern not present in P01, no water pooling on the table yet.

Locked macro extreme close-up, no camera move. Generate 2 seconds; trim to 0.8s at the peak. The bead starts clinging high on the cup wall, runs straight down in one slide, and stops at the base rim of the cup, held there — the cut lands on this frame. Maintain: P01 teacup exactly, L01 table material, window light direction per L01. Avoid: no hands entering, no pattern on the cup that is not in P01, no pool of water forming on the table.

85mm-equivalent medium close-up of the woman's hand reaching toward a teacup of hot tea on a bare wooden table in an old-house interior, palm down, fingers extended, the hand and cup sharing the frame, reach direction from camera-left toward the cup. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, including sleeve); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no second hand, no gloves, no contact with the cup, no ring unless shown in C01.

Locked medium close-up, no camera move. Duration 1.2 seconds. The hand starts moving toward the cup, slows, and stops suspended about two centimetres above the rim with the fingers curling slightly inward — it never touches the cup, and the cut lands on this frame. Maintain: C01 identity (sleeve and hand as in C01), P01 teacup exactly in place, L01 table material, window light direction per L01. Avoid: no second hand entering, no gloves, no contact with the cup, no cup being lifted.

85mm-equivalent close-up of the woman's face in an old-house interior, lit from the window side, eyes fixed downward-forward, lips closed, the smallest readable tension in the jaw, face filling most of the frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no tears, no speaking mouth shape, no second person in the background, no teacup in frame.

Locked close-up, no camera move. Duration 1.4 seconds. Her nostrils flare once as she takes in the smell, then her breathing stops completely and her face holds dead still to the end — the cut lands on this held frame. No blink in the last half second, no head movement. Maintain: C01 identity (face/hair/clothing), L01 room material behind her, window light direction per L01. Avoid: no tears, no speaking mouth shape, no second person appearing behind her, no camera drift.

100mm-equivalent macro extreme close-up looking straight down at the flat surface of hot tea inside a cup, the dark liquid filling the whole frame, the circular surface centred, a faint highlight ring from the window on the far edge. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no hands, no reflected face, no teabag, no spoon, no steam blocking the surface.

Locked top-down macro close-up, no camera move. Duration 1.0 second. The tea surface starts perfectly still, then one concentric ripple ring expands outward from the exact centre of frame, and stops at the moment the ring reaches the inner wall of the cup — the cut lands on this frame. Keep the ring centred in frame and its expansion even in all directions. Maintain: P01 teacup exactly, L01 light from the window per L01. Avoid: no hands entering, no reflected face appearing, no second ripple, no drop falling into the cup.

100mm-equivalent macro extreme close-up looking straight down at a dark circular wet patch on an old wooden floor, the circle centred in frame at the same size and position as a cup's liquid surface, grain of the boards visible around it, cool window light raking across. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no footprint, no shoe, no hands, no tiles, no carpet.

Locked top-down macro close-up, no camera move. Generate 2 seconds; trim to 0.6s at the peak. The wet patch starts as a small centred circle, spreads outward evenly from the exact centre of frame, and stops with its edge soaking into the board grain — the cut lands on this frame. Keep the circle centred and its expansion direction matching a ripple spreading from the centre. Maintain: L01 floor material and board direction, window light direction per L01. Avoid: no footprint or shoe entering, no hands, no tiles or carpet appearing.

85mm-equivalent extreme close-up of the woman's eyes in an old-house interior, lit from the window side, gaze level and forward, catchlight on the iris, the eyes spanning the frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no tears, no eye makeup not shown in C01, no reflection of a second person in the eyes.

Locked extreme close-up, no camera move. Generate 1.5 seconds; trim to 0.6s at the peak. Her gaze starts level, drops downward in one move, and stops fixed low toward the floor — the cut lands on this frame. No blink at the end, no head turn. Maintain: C01 identity (eyes, brows, hair as in C01), L01 room material behind her, window light direction per L01. Avoid: no tears, no reflection of a second person in the eyes, no camera drift.

35mm-equivalent low-angle extreme close-up at floor level of an old wooden floor beside a table leg, a narrow glistening wet trail beginning next to the leg and running away to camera-right, the reflection of the window light picking the trail out as a bright line. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01 if the tabletop edge is visible; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no footprints, no shoes, no puddle, no tiles, no pet.

Locked low-angle extreme close-up, no camera move. Duration 1.0 second. The wet trail starts motionless and stays motionless — only the dust in the light drifts, and the trail's bright reflection holds unchanged to the end; the cut lands on this still frame. Maintain: L01 floor material, board direction and table leg, window light direction per L01, C01 identity if a shoe edge is visible. Avoid: no footprints appearing, no shoe entering frame, no puddle forming, no pet crossing.

50mm-equivalent low-angle extreme close-up of the woman's shoe stopped at the edge of a narrow wet trail on an old wooden floor, toe pointing to camera-left, the shoe and the trail filling the frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, including her shoes); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no second pair of feet, no shoe style different from C01, no stepping into the water yet.

Locked low-angle extreme close-up, no camera move. Generate 2 seconds; trim to 0.7s at the peak. The shoe starts stopped at the edge of the wet trail, pivots on its heel, and stops with the toe pointing to camera-right along the trail toward the window — the cut lands on this frame. The shoe does not enter the water in this shot. Maintain: C01 identity (shoes and clothing as in C01), L01 floor material and board direction, window light direction per L01. Avoid: no second pair of feet, no stepping into the water, no shoe style different from C01.

35mm-equivalent low-angle shot at floor level in an old-house interior, a narrow wet trail running from the foreground away to the base of the wall under the window, the trail glistening as a continuous bright line, the window visible above it as a pale rectangle. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no footprints, no person in frame, no view of the yard yet, no tiles.

Fast push-in along the floor toward the window, no pan, no tilt. Duration 1.8 seconds. The frame starts low on the near end of the wet trail, pushes in fast along it toward camera-right-and-forward, and stops with the trail's far end at the base of the wall under the window filling the frame — the cut lands on this frame. Maintain: L01 floor material, wall and window position per L01, window light direction per L01, C01 identity if a shoe enters frame. Avoid: no footprints appearing, no person entering frame, no view through the window yet, no handheld shake.

100mm-equivalent macro extreme close-up of the edge of a bare wooden table with one droplet of water hanging from the underside of the lip, backlit by the window so the droplet reads as a bright bead, the dark wet trail on the floor blurred below, fall direction straight down. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01 if visible on the tabletop; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no hands, no dripping tap, no second droplet, no spoon.

Locked macro extreme close-up, no camera move. Generate 2 seconds; trim to 0.6s at the peak. The droplet starts hanging from the table lip, detaches and falls straight down, and the cut lands exactly on the frame where it hits the wet trail and throws up a tiny crown of water. Maintain: P01 teacup exactly if visible, L01 table and floor material, backlight from the window per L01. Avoid: no hands entering, no second droplet, no dripping tap appearing, no slow-motion look.

24mm-equivalent wide shot of the old-house interior taken from beside the bare wooden table, the room sweeping away to camera-right toward the window, dust hanging in the window light, the frame weighted to the right where the window is. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); teacup exactly as reference image P01 on the table; single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no second person, no furniture not present in L01, no modern light fixture.

Whip pan to camera-right, matching the direction the woman moves toward the window; no push-in, no tilt. Duration 1.0 second. The frame starts beside the table, whips right across the room in one fast blur, and stops hard with the window frame filling the right half of frame, settled and sharp — the cut lands on this frame. Maintain: L01 room layout, wall and window position per L01, P01 teacup unchanged on the table, window light direction per L01. Avoid: no second person appearing mid-pan, no reverse direction, no panning past the window, no furniture not present in L01.

50mm-equivalent low-angle extreme close-up of the woman's shoe planted on a wet old wooden floor near the base of a wall, a thin film of water around the sole, the shoe filling the frame, press direction straight down. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, including her shoes); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no second pair of feet, no shoe style different from C01, no deep puddle, no bare feet.

Locked low-angle extreme close-up, no camera move. Generate 2 seconds; trim to 0.7s at the peak. The shoe starts hovering just above the wet trail, presses down onto it, and stops planted with a thin squeeze of water pushed out from under the sole edge — the cut lands on this frame. Maintain: C01 identity (shoes and clothing as in C01), L01 floor material and board direction, window light direction per L01. Avoid: no second pair of feet, no bare feet, no deep splash, no shoe style different from C01.

85mm-equivalent extreme close-up of an old window pane from inside, the glass covered in a dull film of grime and haze, the woman's hand entering from camera-left, back of the hand toward the glass, pale light coming through from outside, wipe direction left to right. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, including sleeve and hand); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no cloth or rag, no cleaning spray, no face visible through the glass, no view of the yard readable yet.

Locked extreme close-up, no camera move. Generate 2 seconds; trim to 0.9s at the peak. The back of her hand starts against the hazy glass, sweeps once from camera-left to camera-right, and stops with a clear horizontal band wiped through the grime and pale daylight coming through it — the cut lands on this frame. Maintain: C01 identity (hand and sleeve as in C01), L01 window frame and wall material, light direction from the window per L01. Avoid: no cloth or rag appearing, no cleaning spray, no face appearing on the far side of the glass, no second hand.

85mm-equivalent close-up profile of the woman's face close to an old window pane from inside, her nose almost touching the glass, pale daylight from outside modelling her profile, a wiped clear band across the grimy glass in front of her, the profile filling the left two thirds of frame. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no tears, no speaking mouth shape, no reflection of a second person in the glass, no condensation on the glass yet.

Locked close-up, no camera move. Duration 1.6 seconds. She starts with her face close to the glass, exhales once through slightly parted lips, and stops still as a patch of white mist blooms on the pane in front of her mouth and rises exactly like the steam above a cup — the cut lands on this frame with the mist at its fullest. Maintain: C01 identity (face/hair/clothing), L01 window frame and wall material, light direction from the window per L01. Avoid: no tears, no speaking mouth shape, no reflection of a second person in the glass, no thick smoke-like fog, no hand entering.

35mm-equivalent medium shot from behind the woman as she stands facing an old window from inside, her back and shoulders filling the left-centre of frame, the window pale and bright in front of her, an empty courtyard faintly readable beyond the glass, dust hanging motionless in the light. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, seen from behind); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); the courtyard beyond the window exactly as reference image L02 (bare ground, low wall, no person); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no person in the courtyard, no animal, no moving laundry, no camera shake.

Fully locked medium shot, absolutely no camera move — this is the one held shot in the film. Duration 2.6 seconds. She starts standing still with her back to camera and stays completely still for the whole shot: only the dust drifts and her shoulders rise once with a shallow breath; nothing else in frame moves, and the cut lands on this unchanged frame. Maintain: C01 identity (hair and clothing from behind as in C01), L01 room layout and window position, L02 empty courtyard beyond the glass with no person in it, window light direction per L01. Avoid: no person or animal appearing in the courtyard, no turn toward camera, no camera drift or shake, no push-in.

100mm-equivalent extreme close-up of the woman's eyes in profile-three-quarter against the pale light of an old window, catchlight from the glass in each iris, the eyes spanning the frame, dark room falling away behind her. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing); interior exactly as reference image L01 (layout, bare wooden table, window, wall/floor material); single window light per L01, cool daylight, moderate contrast, dust visible in the beam; 16:9, no text, no watermark. Avoid: no tears, no reflection of a person in the eyes, no eye makeup not shown in C01.

Locked extreme close-up, no camera move. Duration 1.5 seconds. Her eyes start fixed ahead, scan once to camera-left and once back to camera-right as if searching the yard, and stop fixed straight ahead — the cut lands on this frame. One slow blink is allowed in the middle, none at the end. Maintain: C01 identity (eyes, brows, hair as in C01), L01 window light direction per L01. Avoid: no tears, no reflection of a person appearing in the eyes, no head turn, no camera drift.

24mm-equivalent wide over-the-shoulder point-of-view through an old window from inside, the window frame edging the picture, beyond it an empty courtyard: bare packed earth, a low plastered boundary wall, one bare tree, no person and nothing moving, flat overcast daylight. LOCKS: woman ~40 exactly as reference image C01 (face/hair/clothing, only her out-of-focus shoulder at the frame edge); interior exactly as reference image L01 (window frame, wall and floor material); the courtyard exactly as reference image L02 (bare ground, low wall, no person); cool daylight, moderate contrast, muted desaturated palette; 16:9, no text, no watermark. Avoid: no person in the courtyard, no animal, no silhouette behind the wall, no open gate swinging, no footprints on the ground.

Fully locked wide shot, no camera move at all — this is the final held frame of the film. Duration 3.0 seconds. The courtyard starts empty and stays empty for the entire shot: nothing enters, nothing leaves, not a branch or a leaf moves, and the film ends on this unchanged frame. Maintain: L02 empty courtyard with no person in it, L01 window frame and wall material, C01 identity for the out-of-focus shoulder at the frame edge, flat overcast daylight. Avoid: no person or animal entering or appearing behind the wall, no gate moving, no camera drift, push-in or shake, no fade.