Creator雨雲(Amagumo)806 | AI Animer →A unique prompt for creating a 2D stop-motion animation effect in an oil painting style, depicting a dramatic rescue scene on a snowy cliff.
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Style: STOP-MOTION ANIMATION — stepped, frame-by-frame motion brought to a HAND-PAINTED 2D look, a moving oil painting, NOT clay, NOT puppets, NOT 3D. True 12 frames per second, ANIMATED ON TWOS: 12 distinct hand-painted drawings per second, each pose held two frames then snapping to the next, never gliding. Constant painterly BOIL — brushstrokes and outlines subtly alive frame to frame. NO smooth interpolation, NO motion blur, NO morphing, real frame-by-frame animation not AI slop. Style from @[Image 1](image_1), ANA from @[Image 2](image_2), UMAI from @[Image 3](image_3), THE WOLVES from @[Image 4](image_4) — lean steppe wolves, coal-black with cold sheen, pale eyes, the snowy cliff from @[Image 5](image_5). THE INFANT is not a separate reference — render from description: a tightly swaddled baby wrapped in a thick DARK BLUE wool blanket, PRESSED AGAINST ANA'S CHEST in one arm as she clings to the cliff, only a small dark-blue bundle, face barely visible, stirring faintly; NOT a second active child. Heavy weather: drifting FOG, falling and blowing SNOW, gusting WIND. Atmospheric motion (fog, falling and blowing snow, wind-haze, breath-vapor) moves SMOOTHLY; figures, falling rock, wolves and drawn snow-spray step on twos. DIRECTOR'S NOTES: 1. THE SCENE — the catastrophe, the heart of the whole story, and it MUST READ through a precise CHAIN OF CAUSE AND EFFECT, with composition and camera telling the cruel story. As ANA climbs one-armed with her infant, her foot dislodges a rock slab; the slab falls toward little UMAI below; and a WOLF leaps and SHOVES UMAI clear WITH ITS BODY an instant before the slab hits — the wolf SAVES her. Then the pack streams in and carries UMAI away. The wolves do not attack — the first saves her, the pack takes her. This reversal is everything. 2. THE CAUSAL CHAIN — stage each link on screen, cause before effect, on twos: (a) ANA's foot comes down on a ledge high on the cliff, the ledge CRACKS and BREAKS under her weight; (b) a heavy SLAB breaks loose and FALLS straight down toward UMAI — the falling rock the through-line; (c) UMAI stands directly below, looking up; (d) from the side a WOLF LAUNCHES and SLAMS its shoulder and body into UMAI — NOT its jaws, NOT a bite — knocking her sideways clear; (e) the slab CRASHES into the snow exactly where she stood, a burst of powder snow on twos; (f) UMAI tumbles unhurt among the wolves. Every cause visible. 3. THE WOLF SAVES WITH ITS BODY — CRITICAL: the first wolf strikes UMAI with its shoulder/flank, a SHOVE, mouth NOT on her, no bite, no seize — a rescue read as a body-slam. For one instant it LOOKS like an attack — then the rock smashes the empty snow and we understand. Play the shock-reversal. 4. THE PACK TAKES HER — the pack pours in as a fast dark stream from @[Image 4](image_4), varied coats, and SWEEPS UMAI up among them, NOT tearing her, carrying her in the current as they stream away into fog and blizzard. She is small in the dark flowing mass, swept away into the white. The beginning of her life among them. 5. ANA ABOVE SEES AND SCREAMS — high on the cliff, helpless, clinging one-armed with her baby, she SEES and reaches out and SCREAMS her daughter's name. FACIAL ACTING: her held composure SHATTERS — her face breaks open, eyes blown wide in horror, mouth tearing open, all the controlled tenderness from before exploding into raw terror, on twos as snapping held poses of a face coming apart. 6. CAMERA LAW (angle and height tell the cruelty) — SHOT 1 high WITH ANA then a hard VERTIGO TILT DOWN following the falling rock — the height is the cruel mechanism, she is the unwitting cause from above. SHOT 2 LOW at UMAI's level or below — we share the child's helplessness, the rock and the wolf bearing down on us. SHOT 4 the BIG-VERSUS-SMALL angle — ANA tiny and powerless high on the vast cliff, the storm dwarfing her, never powerful, only helpless. Aggressive dynamic handheld throughout, the horizon reeling on the scream, never gimbal-smooth, never tripod-locked. 7. COMPOSITION LAW (the frame tells the story — RUPTURE, the opposite of the vow's affinity) — LINE: the cruel CROSS of forces in the save — the VERTICAL line of doom (the falling rock from above) intersected by the HORIZONTAL line of salvation (the wolf from the side); their crossing on the tiny child IS the story. The pack's flow a DIAGONAL line of dynamics sweeping her off. The vertical gap between mother above and child below now PERMANENT and vast. SHAPE: the angular rock and angular lunging wolf (both read as threat) converging on the small rounded child. TONE: dark masses (rock, wolf, pack) on pale snow and fog, the child the focal point. MOVEMENT: contrast and high intensity — fast violent vertical fall, horizontal slam, diagonal sweep, against the slow helpless reach. CONTRAST & AFFINITY: maximum CONTRAST and PEAK visual intensity — the rupture the vow's affinity has been saving for. SPACE: deep vertical, the cruel distance. 8. FRAMED INK STAGING (read as masses) — FRAME-TRAP the small child between the falling rock above and the lunging wolf from the side, two dark angular masses closing on her. CONCEAL: fog half-swallows the catastrophe, and swallows UMAI as the pack carries her into the white. CAMERA HEIGHT: low and helpless at the child; tiny and powerless at the mother. LARGE VS SMALL: the small child and small distant mother against the vast cliff, the storm, the dark flowing pack. 9. WEATHER — FOG, SNOW, WIND, all smooth: low drifting fog across ground and cliff base, thick snow blown sideways in gusts, gusting wind dragging fog and snow and tearing breath-vapor, the catastrophe half-veiled and swallowed by the storm. 10. SECONDARY ACTION on twos — ANA's and UMAI's clothes hair and breath-vapor whipping, the wolves' fur rippling, the dark-blue swaddled bundle shifting, snow bursting from the rock's impact and the wolves' running as drawn powder on twos; fog and blowing snow smooth. 11. LIGHT — cold grey stormlight in fog and snow, flat soft directionless, no sun, no rays, no beams, no god rays, faces readable. Correct neutral white balance, NOT a blue filter, muted desaturated, snow soft storm-grey white, fog pale grey; nearly BLOODLESS — a rescue not a mauling, any blood dark muted and minimal. SHOT 1 — ON THE CLIFF, ~50mm, aggressive handheld, high on the rock face in fog and blowing snow. COMPOSITION: ANA climbing one-armed in the UPPER frame, the dark-blue swaddled infant pressed to her chest, her boot reaching for a ledge — framed HIGH WITH HER so we feel the drop below. Her foot comes down — the ledge CRACKS and BREAKS away on twos, a SLAB breaking loose. Hard VERTIGO TILT DOWN following the slab as it FALLS down the cliff through the fog toward the tiny figure far below — the vertical line of doom, the height the cruel mechanism. Cut on the falling rock. HARD CUT to SHOT 2 — BELOW THE CLIFF, ~35mm, aggressive handheld, framed LOW at UMAI's level. COMPOSITION (the cross of forces): little UMAI small in frame looking up, fog and snow blowing past — the SLAB falling INTO frame from the TOP straight down at her (vertical line of doom) — and from the SIDE a WOLF LAUNCHES and SLAMS its shoulder and body into her (horizontal line of salvation), the two lines crossing on the tiny child, knocking her sideways clear (jaws NOT on her, a shove not a bite) — and the slab CRASHES into the snow exactly where she stood, a burst of powder on twos. For one beat the two dark angular masses closing on her read as ATTACK — then the empty crater shows the wolf saved her. UMAI tumbles unhurt among arriving wolves. Real weight and impact, all on twos. HARD CUT to SHOT 3 — BELOW, WIDE, ~35mm, aggressive handheld. COMPOSITION (the diagonal sweep): the pack pours
Reusable method
Reusable structure
Extract “target result → the subject, scene, camera movement, and final action → constraints” as a reusable template for similar work.
Retest criteria
Run single-variable comparisons around shot length, transitions, and motion amplitude. Record the model, cost, and failures; turn it into a Skill only after it repeats reliably.
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A cinematic prompt for creating a nostalgic early-2000s-style fitness vlog starring a Korean idol, emphasizing authentic handheld camerawork and a lo-fi videotape texture.
Prompt
DV 16mm handheld tape camcorder POV by CHASE, who occasionally props the camera on a treadmill console or nearby bench. Natural hand shake, crooked framing, delayed autofocus, clumsy zooms, imperfect framing; camcorder never visible. Soft vintage tape quality with subtle noise, slight blur, muted colors, realistic skin tones, gentle bloom around gym lights, authentic early-2000s camcorder aesthetic. Tone: energetic but exhausted cardio challenge vlog with authentic reactions and playful humor. CHASE: Korean idol in her 20s with a long black ponytail, light post-workout sweat, expressive eyes, slim athletic build, wearing a modest long-sleeve athletic top, loose joggers, white sneakers, towel around her neck. Setting: modern indoor gym with treadmills, rowing machines, mirrors, and soft evening lighting. Shots: (1) Selfie before stepping onto the treadmill: “Let's see if I can survive twenty minutes.” (2) Camera on the treadmill console while she jogs naturally. (3) Handheld close-up breathing heavily: “Why does it feel faster every minute?” (4) Macro shot of her finger pressing the stop button. (5) Walking slowly off the treadmill, laughing while wiping sweat from her forehead. (6) Drinks water and takes a deep breath. (7) Gives the camera a tired thumbs-up: “Cardio officially defeated me today.” (8) Picks up her gym bag, smiles warmly, waves goodbye, and says, “See you next time!”
Derived Skill
Skills are derived from repeated patterns in published cases. They are not a separate submission type.
Creator
雨雲(Amagumo)806 | AI Animer focuses on AI video production and is active on X. “Stop-Motion Oil Painting Animation” is the current representative case, built with Seedance 2.0 awaiting a stability retest.
A comprehensive multi-scene prompt designed for Seedance 2.0, intended to mimic the nostalgic handheld MiniDV home-video style of 2004.
Prompt
Main Subject: Young Korean woman, 22, natural appearance, shoulder-length dark brown hair tied in a loose ponytail with wispy bangs. Wearing a light blue oversized hoodie, black cycling shorts, white sneakers, and a small grey crossbody bag. Minimal makeup, realistic skin texture, warm personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout. Location: Quiet bicycle path beside the Han River during a sunny spring afternoon. Cherry trees, green grass, wooden benches, cyclists, joggers, gentle river breeze, distant city skyline, peaceful atmosphere. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior, natural body language, authentic everyday life. Camera Style: Early-2000s Sony MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting, exposure pumping, faded colours, soft contrast, slight motion blur, DV compression artifacts, no stabilization. 00:00–00:03 She unlocks a silver city bicycle beside a wooden bench, smiling as wind moves loose strands of hair. Camera briefly focuses on the handlebars before correcting. 00:03–00:06 She rides slowly along the riverside path. The camera jogs behind, shaking naturally while struggling to keep her centred. 00:06–00:09 She stops beside the river, parking the bike. Resting both hands on the handlebars, she quietly watches the water while cherry blossom petals drift past. 00:09–00:12 She drinks from a small bottled water, brushes hair behind her ear, and laughs softly after noticing the camera. 00:12–00:15 She gets back on the bicycle, waves casually toward the camcorder, and rides away as the operator lowers the camera. Recording cuts abruptly to black. Audio: Natural ambience only—birds, bicycle wheels, wind, distant conversations, footsteps, leaves rustling, flowing river, occasional bicycle bell. No music or narration. Goal: A forgotten MiniDV home video from 2004 capturing a peaceful afternoon bicycle ride along the Han River, warm, imperfect, nostalgic, and completely believable.
A mixed-media video prompt for Seedance 2.0 combining a realistic 1st-person kitchen POV with a 2D animated capybara sticker character performing a salt-pouring prank.
Prompt
Live-action footage + 2D anime sticker composite comedy short video 【Style】 Live-action footage + Flat 2D Sticker Composite comedy short video. First-person cooking perspective, with a strong contrast between the realistic kitchen texture and the flat cartoon sticker style. The overall effect is a Live-Action + Flat 2D Cartoon Sticker hybrid. The image is a real live-action kitchen, while the character remains a purely 2D flat sticker-style chibi cartoon character throughout. 8K ultra HD, vertical video, slight handheld shake, brisk short-video pacing, direct comedic beats. 【Duration】 10 seconds 【Aspect Ratio】 9:16 vertical 1. Scene Setting 【Scene】 A real home kitchen from a first-person perspective. A black iron wok sits on the stovetop, with beef and vegetables being stir-fried inside, oil sizzling and steam rising. The background includes: A white tile wall Wall outlets Soy sauce bottles and oil bottles lined up against the wall A stainless-steel sink on the right Natural light coming in through a side window The overall environment must feel real and lived-in, with a believable kitchen texture, and must not turn into a cartoon kitchen. The camera is first-person POV, with slight handheld shake, but not so shaky that it becomes chaotic. 2. Character Setting 【Character】Chibi anime sticker character: Capybara Lulu Requirements: A round, cute anthropomorphic cartoon capybara Standing front-facing in the lower center of the frame About half the height of the iron wok Flat 2D sticker texture Clear cartoon outline Strong paper-cutout feel Must not become a three-dimensional realistic animal Must not be reshaped by the real environment lighting into realistic 3D light and shadow Locked appearance: Light yellow body Wearing orange shorts A small yellow apron tied around the neck A small tangerine on top of the head Four short little paws, rounded like beans Head and face take up a very large proportion Overall like a soft, cute paper sticker character Character temperament: Usually chill and lazy But extremely skilled whenever causing trouble A smug, mischievous expression with a strong prankster feel 【Live-action Portion】 The real person’s hand is realistic and enters the frame from the right side. Skin details must be realistic, with visible pores, creating a clear contrast with the 2D character. 3. Shot Design 【Shot 1 | 00:00–00:03】 Salt Avalanche Opening 【Camera Position】 First-person overhead POV 【Visual Action】 The real person’s hand is using a spatula to stir-fry the beef and vegetables in the wok. Capybara Lulu sits on a small wooden stool beside the stovetop, squinting its bead-like eyes, with deeper blush and an upturned mouth showing a smug, wicked grin. It raises a glass seasoning jar bigger than its own head high with both short little paws and, while the person is stir-frying, pours the entire jar of white salt into the wok. The salt should cascade down like a real waterfall, clearly falling into the wok and forming an exaggerated but visible “little white salt mountain” on top of the food. 【Character Expression】 Slightly narrowed bead-like eyes Wicked grin Mischievous satisfaction 【Sound Effects】 Food sizzling Dense rustling sound of salt being poured into the wok 【Only Main Action in This Shot】 Capybara Lulu pours the entire jar of salt into the wok. 【Shot 2 | 00:03–00:05】 Spatula Bonk 【Camera Position】 Continue in first-person close-up POV 【Visual Action】 One of the real person’s hands quickly snatches the glass salt jar from its arms. The other hand raises the spatula, with the flat side facing downward, and gently taps the top of Capybara Lulu’s head. Note that this is a cartoon-style light tap, not realistic violence. After the tap, an obvious red cartoon bump immediately pops up on the top of its head. Its entire round 2D sticker body jolts sharply up and down, both little paws instantly hold its head, and its bead-like eyes suddenly widen. 【Character Expression】 Shocked Wronged Dazed for a moment 【Sound Effects】 A “Duang” sound from the spatula A light metallic tap Cartoon spring sound effect 【Only Main Action in This Shot】 The real person lightly taps the top of its head with the spatula. 【Shot 3 | 00:05–00:08】 Cry & Feed 【Camera Position】 First-person close-up POV, focused on the character’s face and the edge of the wok 【Visual Action】 Capybara Lulu holds the red bump on its head, and its bead-like eyes instantly turn into spinning spiral eyes. It opens its mouth wide and cries “waa waa,” with blue cartoon tears exaggeratedly spraying like fountains from both sides. The small tangerine on its head also trembles with the crying. At the same time, the real person’s hand immediately uses the spatula to scoop up a full spatula of “white salt and salty vegetable mixture” from the salt mountain in the wok, and while it is crying with its mouth open, accurately feeds the spatula into its mouth. Its mouth is instantly stuffed until bulging, and its left and right cheeks swell up exaggeratedly like two hemispheres. 【Character Expression】 Spiral eyes Loud crying Shocked blankness after its mouth is stuffed full 【Sound Effects】 Exaggerated cartoon bawling Rustling sound of scooping salt A “pop” sound as it is stuffed into the mouth 【Only Main Action in This Shot】 The real person stuffs a spatula of salty vegetables into its mouth while it is crying with its mouth open. 【Shot 4 | 00:08–00:10】 Salt K.O. Ending 【Camera Position】 First-person fixed close-up, freeze-frame ending 【Visual Action】 Capybara Lulu’s cheeks are swollen red on both sides, and it is forced to swallow the salt in its mouth. Its pupils suddenly shrink into two tiny dots, its light yellow body instantly turns one shade paler, and the whole character stiffly trembles for half a beat. Immediately after, its bead-like eyes turn into two “X” marks, and its body falls backward stiffly from the small wooden stool, landing flat on its back on the stovetop with all four paws facing up. One little paw weakly swipes through the air, then drops. A ring of small spinning stars slowly circles beside the red bump on its head. A wisp of soul-like white smoke drifts lazily from in front of its square little nose. The image freezes at the instant it is “so salty it ascends.” 【Sound Effects】 A stiff “clunk” sound A “thud” as it falls backward A slight cartoon ascension sound effect to end 【Only Main Action in This Shot】 Capybara Lulu falls backward after being overwhelmed by saltiness. 4. Execution Requirements 【Visual Requirements】 The kitchen environment must be realistic and live-action Capybara Lulu must always maintain a pure 2D sticker feel The 2D character must strongly contrast with the real kitchen and real human hand Do not make Capybara Lulu into a three-dimensional realistic furry animal Do not let the character receive complex realistic lighting The character outline must remain clear, like a cartoon sticker pasted onto live-action footage 【Action Requirements】 Keep only one main action per shot The action rhythm should be short, direct, and fast The character’s expressions should be exaggerated, but the action logic must be clear The salt, spatula, steam, and fall must have clear physical feedback 【Performance Requirements】 Capybara Lulu’s troublemaking feel must be strong The real person’s full body does not appear, only the hands The real person’s reaction should be crisp, like someone experienced at handling a troublemaker The overall piece is a dialogue-free comedy, with no need for anyone to speak 【Camera Requirements】 Keep first-person POV throughout the film Slight handheld shake Do not switch to third person Do not add unrelated people The ending freeze-frame should be crisp 5. Negative Words blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, subtitles, text, logo, error; deformed, mutated, bad anatomy, extra limbs, broken hands, disfigured, bad composition, out of frame; realistic animal fur, 3D realistic capybara, over-rendered lighting on sticker character, inconsistent character, changing clothes, changing body color, changing head accessory; background shift, disappearing props, broken kitchen continuity, floating objects, incorrect POV, extra people, extra hands, glitching cuts
