Wong Kar-wai-Style: The Whole Street Moves While She Stands Still

Sunset through a window hits a bare wall with fire-like intensity, a framed picture catches the last of the light, and long shadows stretch across a wooden floor. Cites Ashes of Time and pushes extreme warm tones close to overexposure to capture something fading. Image 7 of Zhao Yifan's Wong Kar-wai-Style set.

A person stands motionless on an empty neon street in a downpour, head tilted slightly back, rain tinted magenta and cyan by neon on their face. References Fallen Angels, with stylize set to its maximum of 700 across the set, and uses wide angle plus motion blur to build loneliness. Image 2 of Zhao Yifan's set.

A hand reaches across a small wooden table toward an amber glass of whiskey, dusk light striping through dusty blinds, with an old radio blurred in the background. Takes its color grade from 2046 and uses one drink and one beam of light for nostalgia and indulgence. Image 4 of Zhao Yifan's set.