赵一帆_

A hand reaches across a small wooden table toward an amber glass of whiskey, dusk light striping through dusty blinds, with an old radio blurred in the background. Takes its color grade from 2046 and uses one drink and one beam of light for nostalgia and indulgence. Image 4 of Zhao Yifan's set.

In total darkness a face is lit only by cold blue phone light, eyes wide and unblinking, a tear streak catching blue on the cheek, an unanswered chat on the phone. Cites In the Mood for Love, using one light source and shallow depth of field. Image 5 of Zhao Yifan's set.

A person stands motionless on an empty neon street in a downpour, head tilted slightly back, rain tinted magenta and cyan by neon on their face. References Fallen Angels, with stylize set to its maximum of 700 across the set, and uses wide angle plus motion blur to build loneliness. Image 2 of Zhao Yifan's set.