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创作者 · Ciri_ai
查看原始来源 ↗Create a vertical 3:4 canvas divided into two perfectly equal horizontal sections: the top occupies exactly 50%, and the bottom occupies exactly 50%.
The upper and lower sections must feel like one continuous scene, not two separate compositions.
TOP HALF — ORIGINAL PHOTOGRAPH
Preserve the original photograph exactly as it is.
Maintain the original subject, pose, spatial relationships, color atmosphere, composition, and natural lighting.
Do not redesign, recolor, replace, rearrange, or reinterpret any part of the original photograph. Keep its original proportions and visual identity.
Cropping is allowed when necessary.
CONTINUITY — HIGHEST PRIORITY
Identify a natural compositional element that converges toward or passes through the central area of the image. This could be a road, coastline, body of water, reflection, branch, beam of light, architectural structure, or physical movement.
This element must cross the boundary between the two halves and continue naturally into the lower section.
The second world must emerge directly from the original photograph. It should feel as though the same scene continues beyond the dividing line, with only its physical form transforming.
The transition must feel intentional, organic, and visually connected.
TRANSITION EDGE
An irregular torn-paper edge may be used as part of the central design, but it must follow the underlying structure of the composition rather than function as decoration.
The original visual element may touch, follow, break through, or extend beyond the edge.
Avoid repeating the same torn-paper shape across different images. Let the transition shape emerge naturally from the specific photograph.
BOTTOM HALF — THE SECOND WORLD
Create an ivory-colored paper surface with subtle natural fiber textures and generous negative space.
Continue the selected structural element downward from the exact point where it intersects the dividing line.
Reinterpret it using a thoughtful combination of:
- Minimal photographic fragments.
- Cut-paper shapes and layered paper elements.
- Delicate black hand-drawn outlines.
- Subtle handmade collage textures.
The lower world must remain visibly connected to the upper photograph.
Never turn it into an isolated portal, window, stage, or platform unless that structure genuinely originates from the photograph itself.
SECOND-WORLD LOGIC — IMAGE-SPECIFIC INTERACTION
Ask yourself:
If the structure in this photograph became something tangible that could be touched, used, manipulated, or transformed, what would it naturally become?
Create an interactive visual interpretation that is specific to the image.
Examples:
- Water might continue downward as a flowing form that remains physically attached to the original water.
- A road might transform into a hand-drawn pathway that continues through the paper.
- Light might become a tangible object that someone could hold or interact with.
Do not mechanically repeat the same transformation or interaction across different images.
The creative interpretation must emerge naturally from the photograph's subject and visual elements.
CHARACTERS & INTERACTION
Add between 0 and 3 minimal black line-drawn human figures, only when genuinely necessary.
Each character must actively participate in the visual narrative and interact with the transformed structure.
If the original photograph already contains multiple people interacting, do not introduce additional characters.
Never use characters merely as decorative elements.
WORLD TITLE / CAPTION
Add one short, handwritten English caption consisting of 2–6 words.
The caption should naturally describe the action or interaction taking place in the second world.
Keep the language conversational, slightly playful, and subtly humorous.
Ensure correct spelling and natural phrasing.
Avoid motivational statements, generic inspirational quotes, and formulaic expressions such as "Same thing, different world."
VISUAL STYLE & ART DIRECTION
- Authentic, photorealistic photography.
- Warm ivory paper texture.
- Extremely minimal black hand-drawn linework.
- Subtle handmade cut-paper and collage details.
- Independent editorial magazine aesthetic.
- Bright, airy, clean composition.
- Generous negative space.
- Refined visual storytelling.
- Natural integration between photography and paper art.
The final image should feel as though a second dimension was already hidden inside the original photograph and simply continues beyond its boundaries.
The result should be sophisticated, imaginative, understated, and visually cohesive.
NEGATIVE PROMPT
No disconnected bottom-half illustration.
No generic torn-paper templates.
No isolated portals, entrances, windows, stages, or platforms.
No unrelated visual elements.
No broken visual continuity.
No overly dense illustrations.
No random decorative objects.
No unnecessary crowds or additional people.
Do not modify the original photograph's colors.
Do not redesign or alter the upper photograph.
No glossy 3D effects.
No messy scrapbook aesthetics.
No cluttered collage elements.
No distorted or gibberish text.
No watermarks.
No logos.适用模型与稳定度
建议模型
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提示语
极简手绘纸感插画 将上传的照片转化为极简、手绘、带纸张质感的艺术封面。 构图 - 主体仅占画面的 10–20%。 - 将主体置于构图底部中央附近。 - 在整幅图像中保留充足的留白。 - 仅用少量线条或小色块暗示环境。 保留 - 原主体最具辨识度的特征。 - 基本轮廓与比例。 - 原有姿态或主要动作。 - 重要物件与标志性细节。 - 核心故事、人物关系与情感氛围。 配色 - 提取原照片中的主色。 - 将配色限制在不超过四种主要颜色。 - 使用醒目但克制的平涂色块。
ChatGPT 上的 GPT Image 2.5 提示词：为每张上传的照片制作一张独立的高端杂志风格海报。绝不要合并照片。格式 严格采用 3:4 竖版构…
提示语
为每张上传的照片制作一张独立的高端杂志风格海报。绝不要合并照片。 格式 严格采用 3:4 竖版构图，以水平分界线精确划分为 50/50 两部分。上下两半必须等高，并在视觉上连成一张精致的杂志封面。 上半部分：原始照片 忠实使用原始照片。保留主体、身份、面部特征、比例、姿势、服装、物品、构图、光线、阴影、氛围和色彩情绪。保持完全写实，仅进行细微的高端杂志风格调色。绝不要将主体风格化、扭曲、替换或改动。仅在必要时延展周围背景，衔接要无缝、自然。 下半部分：手绘插画 将同一场
ChatGPT 上的 GPT Image 2.5 提示词：高端编辑风格海报制作说明 每张上传的照片都必须制作成一张独立的高端编辑风格海报，……
提示语
高端编辑风格海报制作说明 每张上传的照片都必须制作成一张独立的高端编辑风格海报，不得将多张照片合并。严格使用 3:4 竖版画布。在画布正中央沿水平方向分割：上半部分和下半部分各占高度的 50%，宽度相等、高度相等，不得改变比例。 上半部分直接使用原始照片，不得重新生成。完整保留主体身份、人体或建筑结构、比例、透视、空间关系、纹理、自然光影、色彩和环境。仅允许轻微裁切和克制的高级调色；禁止重绘主体、虚构光线、HDR、过度饱和、塑料质感和虚构内容。需要适配画幅时，只能扩展天空
Case 详情页把原帖效果、Prompt 与复测证据放在同一条阅读路径里。
